A Journal of Arts & Letters

Category: Uncategorized Page 14 of 25

Renton by Miguel Reyes

Twins

Twins by:Michael Tucker, Ceramic mixed media, 2015.

Renton
by: Miguel Reyes

     Bells and a neon sign that read Welcome greeted me when I walked through the door. There’s no hostess to beam a false smile and ask me “Smoking or non-smoking?” It’s the type of diner where the customers seat themselves wherever they’d like. This restaurant smells like a dirty wash cloth; I can taste the dish water in the air. The floors are sticky with ketchup and maple syrup. Bulbous dim lights above flicker when the local train speeds by, rattling the plates and eating utensils on the tables and bars. This is the kind of place people passing by on road trips stop at just to take a piss. It’s an almost empty restaurant in the middle of nowhere where everyone knows no one. The few people grubbing and drinking old, burned coffee pay no attention to me as I walk myself to a table in the back. No one knows who I am here; I should be safe for a good while.

     I take my seat in a corner booth, the red leather squawks against my jeans. The tables themselves match the encrusted ugliness of the diner. The fake sugar packets are scattered across the crumbs, napkins ripped out of their holders, and there are coffee and creamer stains permanently blemished into the wood. The nastiness from the table nearly made the menu slip through my fingers. My stomach churns and gives me nausea. Deciding to stop and eat at this greasy spoon wasn’t a wise choice.

     “No, it was not.” Renton, my other worst half says as he seats himself in front of me. “Not your wisest choice at all.”

     “Stopping here was your idea.” I reminded him. “I could’ve kept on driving for a few more hours.”

     “Yeah, but you’re hungry. Get yourself some pancakes since we’re here.” Renton snatches the menu from my greasy fingertips and says “What kind do they have anyway?”

     “You mean you were hungry?”

     “You, me, is there a difference anymore?” he drops his fist hard on the table and shouts, “Can we get some fucking service around here? We’ve been sitting here for two minutes! Some water would be nice!”

     “Can you keep it down?”

     Renton’s voice discharges immense pain deep in the crevices of my fragmented brain. His being is a nuisance to my very existence. Everything about him is borrowed. He isn’t true, he is a lie. He’s a copy of copies.

     “Don’t lie, I know you love my voice.” He smiles a very toothy smile.

     “Stay out of my—”

     “What can I get for you today?” the robust waitress with prominent pit stains seeping into her yellow uniform, and with a tag on her breast that says her name is Linda interrupted me. She glares at me with crusty eyes and ample disinterest, pen and ink already touching her notepad.

     “It’s about fucking time.” Renton said. “I’ll have a big stack of blueberry pancakes, eggs sunny side way up, bacon burned to a crisp and a glass of your finest orange juice.”

     “I’ll just have plain pancakes, thanks.” I hand Linda the grease drenched menu.

     “Coming right up.” Linda walks away without having written anything on her notepad.

     “Where are we right now?” Renton asked.

     “A shitty diner.”

     “I meant on the road, asshole.”

     A substantial sigh of pure exhaustion exhales, “I don’t know. The last road sign I remember seeing said Kansas, so maybe we’re in Kansas.”

     “That’s kind of boring; the only things Kansas is known for are tornadoes, the Wizard of Oz, and the song Dust in the Wind”.

     How I came to know Renton is beyond me. I don’t remember how or when we met. It’s as if he just appeared in my life. I don’t even know if I should call him a friend. He’s definitely not family. He isn’t of any importance to me, I’d reach across this table and choke him until he’s black and blue in the face if I could, and he knows that. Renton is no one to me, but he knows everything about me.

     “Damn right I do.” He shuffles in his coat pocket for his pack of Kools and pulls a bent one out. “You were raised on eggs and ketchup,” Renton lights the cigarette as it hangs from the corner of his mouth. “Your dad getting his ass kicked by loan sharks for not paying his dues was normal for your family. Your mother would beat you for feeding your dog the vegetables you wouldn’t eat. You were also that kid who shit his pants that one time in kindergarten.”

     “Here you go.” Linda sets down the plate of a towering stack of pancakes on the table alongside with the maple syrup. “Enjoy.” She said indifferently and walked away.

     “Thanks, Linda.” Renton dragged from his cigarette. “You lost your sanity when you were thirteen. You grew up with dollar store toys, and you lived in a house where roaches crawled all over your food.”

     “I know, I lived it all.” I pour the maple syrup on the leaning tower of pancakes.

     Renton’s Cheshire grin is always an unpleasant sight. “Oh, don’t get all pouty now.”

     The palm of my hand slams on the table, causing every single eye in the diner to turn and gawk at me. “Shut up.” I whisper. “I don’t need to hear anymore of me.”

     “Stop being so fucking scared. Face yourself.” Renton demands. “Look at you. You’re sitting in a diner somewhere along the yellow brick road, miles away from home. You have no more money, no place to live; your car is getting ready to breakdown on you—what the fuck happened?”

     “You happened.”

     Renton’s laugh travels through the diner, but no one is distracted by it. “There you go again, always blaming everyone but yourself.”

     “You are to blame! It’s because of you I can’t go home!”

     Renton locks his fingers together on the table and leans forward to say “No one is keeping you here; you can go home whenever you want.”

     “I’ll go to jail.”

     “And whose fault is that?”

     “Yours!” I yelled. All eyes were on me again. They’re starting to get annoyed. One more outburst and I think I’ll be thrown out.

     “You’re always playing the victim. You blamed your addiction to pain killers on your mother, your shitty grades on your professors, your shitty life on how your parents raised you. You want to know why your life has been so fucking deplorable, why you were never able to succeed in anything . . .  because of you. You’re the problem. Whenever you’re pointing a finger at someone or something, there’s three pointing right back at you.”

     It’s Renton’s fault. It’s his entire fault. It’s his fault I’m on the run. It’s his fault I can’t go back home. It’s Renton’s fault that I’m insane.

     “You were insane before I even came in the picture!” He puts out his cigarette in the maple syrup. “You’re brain damaged. And stop blaming me for what you did; I only gave you a little push. You were scared, and you were already dead set on going through with it. You stole the gun from his locker and you proceeded from there.”

     “Shut up, stay out of my head!” I’m going insane. Renton is making me go insane. He’s the little devil on both of my shoulders, spouting off nonsense and ramblings of a mentally disturbed person.

     “No, you’re mentally disturbed, and what I’m saying isn’t nonsense, it’s the damn truth. You’re just too stubborn to even realize everything that’s happened to you is your fault.” He takes a nine millimeter out of his pocket and sets it in front of me. “This is the gun you used; this is the gun you’ve been using since that night.”

     “It wasn’t me behind the gun that night. I was watching you. You held the gun and you pulled the trigger.” Remember, Renton is a lie. There is nothing true about him. He’s the devil, he’s the little voice in everyone’s head telling them they’re insignificant and should kill themselves.

     “Yet, you were still there watching. Why didn’t you stop me? You could’ve if you were so inclined.” He grabs the gun from the table and checks to see if it’s loaded, cocks it and aims it between my eyes. “Want to try stopping me now?”

     “What are you doing? Put that down. People will see!” I try to grab the gun from across the table, but Renton shoves me into my seat.

     Renton lowers the gun from my face and aims it at his temple. “All it takes is one bullet to kill me and you. Go ahead, try and stop me.”

     “You wouldn’t . . .”

     “No, you wouldn’t,” he laughs. “I would, and you know it.”

     The static image of a news anchor comes on the television hanging above the bar; everyone in the restaurant watches the breaking news bulletin, smoking and shoving pork sausages down their gullets.

     “Looks like you’re famous.” Renton lowers the gun. “Your ugly mug is all over the news.”

     He’s right, my picture hovers next to the news anchor as she reports about my crimes. Her deep southern accent and static from the television makes it difficult to hear what she’s saying, but I already know what’s being reported. I know what I did. I know what Renton did.  

     “The Police are on a manhunt for twenty-two year old Renton Parker, who’s a prime suspect in a series of mass murders in north Texas. The search has been continuing for three days and police are desperate to find Parker in fear of him killing again. Parker’s murders began in his own home when he murdered his own mother and stepfather, he then went on the run driving through north Texas shooting police officers and innocent bystanders in the crossfire. Police still do not know his motives. Parker is considered highly dangerous and should not be confronted. He is believed to have traveled north into Kansas by now, if anyone has any information on the whereabouts of this man, notify the police immediately.”

     All eyes are on me again, the whispers of frightened hicks are loud enough for me to hear. I see a trucker reaching inside his coat—I hope he’s reaching for his wallet.

     “You know for damn sure he’s not reaching for his wallet.” Renton slowly slides me the gun across the table. “Go ahead.”

     I slide the gun back to Renton. “No.”

     “You’re getting soft.” Renton grabs the gun. “Go ahead and blame me for this one.”

     Prison or the electric chair isn’t an option for Renton. Even though I loathe everything about him, he enjoys me. He enjoys the trouble we get into. The pain and suffering he causes me tickles him pink. Renton is a sadistic monster, the irritation of existence. A harbinger of insanity and death. He’s the vilest part about me, and I can’t do anything to stop him. I’m not sure if I want to anymore.

     I’m no longer seated, I’m standing with a gun in my hand, but I have no control of my own being anymore. Renton’s disappeared, but he’s very close. “Very fucking close.” Renton words seeping out of my mouth. “And now for the punchline,” the cold steel rises in the air, aiming at the trucker with his hand still in his coat. “Everybody dies.”

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Temptation by: Emilee Lawrence

Postada

Postado by: Camila Tellez Pardo, Acrylic on canvas, 2016.

 

Temptation
by: Emilee Lawrence

Prop a couple of toothpicks underneath heavy eyelids,
Sweeten my coffee with Baileys,
I’m ready to start the day.

Dragging shoes made of lead,
I’ll get there eventually.

Begging the day to end
Are the minutes counting me down?
As if it matters.

Covering yawns with shining teeth.
But these teeth are not as lovely as they seem,
Just ask my bleeding tongue.

The anxiety seeping through my pores
Like last night’s fun,
Invisible to see with the naked eye.
The torn up tissue where skin meets nail tells the truth.

This understanding disguised itself as wisdom,
And slowly wrapped itself around my neck
Into a rope of delicate pearls.

The knot tightens
As the fog around the finish line clears,
And the cheers from the solace awaiting me on the other side
Grow louder.

The coaxing
Is becoming impossible to ignore.

How much longer
Will I resist the temptation
To knock over the wobbling stool
Beneath my feet?

 

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New Orleans Deadly Enchantment by: Michelle Marie Chase

DSC_0017

Untitled 1 by: Lyvia Alvarez, Oil on canvas, 2016.

New Orleans Deadly Enchantment
by: Michelle Marie Chase

Dauphine’s golden trumpets blared for the crowd of drunken fools.
Skilled hands twirled me under twinkling lights on Royal.
Bourbon on our feet, whiskey in our veins.
Midnight we married at La Supreme Court.
Fortunetellers told him to leave me.
He chose to ignore them.
The morning came quietly.
I looked back.
He slept.
Forever.

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Wetback by: Edgar Trejo

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The Hand You’re Dealt by: Rose Dobson, Acrylic on Canvas, 2016.

Wetback

by: Edgar Trejo

Baptized under a cradle of hands
And blanketed under an old t-shirt.
Like Moses, traveled to the Promised Land,
But by desert.

When he arrived no prophecies were fulfilled.
Hopes never came to be.
He was christened by his first nickname:

Everything you owned and everything you are
Has been left behind.
You will never be heard, you will never be seen-
That missing shoe you left in the desert.
Things are not how they were,
Everything you own, everything you are
Is nothing.
You are just a job.

“Make America Great Again,”
Our bastard brother.
There is nothing to be said, just give in.
We built the ditch they’ve trapped us in.

“Just let it happen.”
Our language arts teachers
Whispered after school.
No one heard.

We never spoke English.

People never change
Until the first cry is heard.
Slaves to “The Land of The Free”
Cowards of “The Home of The Brave”.

We built the ditch they’ve trapped us in.

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Aphotic Rest by: Ash Brand

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Time by: Rose Dobson, Mixed media on paper, 2016.

Aphotic Rest
by: Ash Brand

It’s the only choice to make
when all the world is watching.
The radiance wraps around you like ribbons,
you never knew its silk could turn to grit.
Keep smiling, Keep working.
The door was glinting in the dark,
promising to lead you down a vivid path.
No one told you the glow could blind.
No one warned you about
its opaque pressure.
Keep smiling, Keep working.
The choice was clear, but now
it hurts to look at.
You struggle to keep up with the incandesce with all of your might
but you fall
all the same.
You did not collapse in vain.
The shadows mean no harm.
Breathe in, Breathe out.
All-encompassing but not suffocating,
No one can see your cracks.
No one can see you repair yourself.
Breathe in, Breathe out.
You are not less here.
Reinforce your resolve, use the inky blackness
to rewrite your goals.
The door did not crumble because you needed to rebuild.
Take all the time you need
to reach for the knob once more.

 

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Sitting Solitary in Starbucks by: Allison Kennedy

WellsCirclesOfChaos

Circles of Chaos by: Julie Wells, Acrylic on canvas, 2014.

Sitting Solitary in Starbucks
by: Allison Kennedy

Business men hunch; computer peckers, them, not me,
A display of evolution, the genes permutate
accompanied by the smell of burned coffee.

Behind, a can of tuna is opened. Ew, how can that be?!
Through the atmosphere it permeates.
The college student munches; smelly eater, him, not me.

Several languages are spoken over tea.
The indistinct murmur surprisingly resonates
over the smell of burned coffee.

Two graying, pot-bellied men chat casually
of their pasts and of their fates.
A chance meeting at brunch; nostalgic speakers, them, not me.

A sample platter is passed around for free
She offers, but I negate,
over the smell of burned coffee.

Sun sets as the light travels down my thigh to knee.
Several patrons come in with their mates.
Happy couples flirt; sacrificially satisfied, them, not me.
Inhaling the smell of burned coffee.

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The Future is Ours by: Mary Beth Foster

HeLookedToMe (1)

He Looked At Me With Eyes Full of Love by Sarah Hutchings, mixed media, 2015.

The Future is Ours
by: Mary Beth Foster

Where is my jetpack?
Where is my freedom from woe?
Where is my field of daisies, my bed of roses?

Nothing about the ‘eighties prepared me for this:
The age spots on my hands
The quaver new in my mother’s voice.

The future was ours
We could do anything a boy could do.
Through the haze of burning bras and noisy plackards

Glimmered the new Jerusalem
We need only follow the shining path
Paved by our grand-s and great-s
Who did the work of Hoovers, Singers and Whirlpools
Til their hands cracked.

We were free of that
We have the scented lotions to prove it.

I have it all:
The Miele, the Bosch, the Kitchenaid and Cuisinart.
I brought home the bacon, fried it up in a pan.
My kitchen counters come from Italy and gleam like mother-of-pearl.
Recessed lighting in my boudoir casts flattering shadows.

But Spandex and silk go not together.
Sleeveless isn’t an option – too many tans have passed.
Sanitizing cleaners violate my manicure.
But it’s alright, because I have a choice of brands.
I stand in the aisle under the flickering fluorescents,
Comparing the merits of Clorox and Lysol.

The doctor says that, with maintenance, quality of life can be extended
Indefinitely.
The other doctor says that I must keep an eye on that mole – remember my ABCDEFGs.
Fish oil can help with joint pain and foggy memory, but may carry added cancer risk.
Hormone replacement therapy was maybe not such a good idea.

Maybe I should send myself flowers
Pluck the petals
Scatter them across my sheets
Lie down, and dream of
Jet-pack flying silent along the path
To the city my fore-mothers built
So my hands could travel across silk
Without snagging.

Then I’ll rise,
Change the sheets,
Add bleach to take out the pollen stains,
Drive to mom’s
And change her sheets too.

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My Curse by: Brenda L. Chacon

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Untitled by: Camila Tellez Pardo, Acrylic on Canvas, 2015.

My Curse
by: Brenda L. Chacon

What are they talking about?
The whispers, the voices, the yelling, the growls.
I can never tell. There’s so many of them.
What are they talking about?

So strange and jumbled.
I hear them here and there.
Not sure what they want. I wish they would say.
Or maybe they are, and I just do not want to hear.

They are always near me, surrounding me day and night.
I want to sleep tonight. “Stop sitting on my bed!”

Can I please have this day?
I’m just walking through, “Leave me alone,” I say.
They keep on and on.
“Stop. Just Stop!”
I run and peek around the corner.
Are they still following?

Where did she come from?
She’s the scariest yet.
Maybe she just came from a costume party, but I know she didn’t.
Just wishful thinking.
“Leave me alone. I can’t help you.” I plead as I walk away.

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Obsessive Talk by: Marissa Aguilar

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Untitled by: Macy Partain, Acrylic on canvas, 2015.

Obsessive Talk
by: Marissa Aguilar

The room with the clock that hung between two windows
kept track of the seconds until Sammy got paid.
I glared at the yellow couch against the wall,
its baby puke appearance fixed as a memory,
A terrible contrast to my blue jeans.
Others have touched this piece before,
flopped over tattered cushions,
their secrets hidden within its cracks,
along with forgotten pennies.
The mustard sofa,
neglected and soiled,
had it once been clean like me?
Before the pulled hair,
tossed kitchen scissors on bathroom tile floor,
a rush of “you’ll feel better once it’s done.”
Mother bent, pounding a hand against her thigh,
“it’s all in your head!” echoes off apartment walls.
“Friends” point and sneer at new close cut,
because pretty girls have long hair.
“How do you feel?” Sammy asked.
Sudden reminder of these past two years,
Fingertips tapping the spot exposed to air.
A sign labeled “patients” above,
I no longer had a name.

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Untitled by: enlischo

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Him by: Rose Dobson, mixed media, 2016.

Untitled
by: enlischo

One sun fried afternoon, over a cup of tea
As usual, my companion recounted her recent tryst
Unmoving, unwilling to hurt, I kept my eyes level and my mouth silent
Ripple upon ripple, her tolerance at last breached
She asked, she prodded, she accused,
my unfaithfulness prevalent in the halfheartedness I showed.
‘No, dear friend, I’m just callous.’
‘Show me your support, at least.’
Bitter smile, I told her the blankness of my mind
was filled with concern one day she would be hurt.
Had I been her friend for a mere thirty days
she would hurl the hot liquid into my face.
I asked her favorite color.
To her answer, ‘red like rose,’ I wanted to know another thing.
Would she like if her love was red?
With a nod, her smile barely hidden,
Blowing off the steam from Ceylon tea,
Letting out the harmless sigh I had long perfected,
I let my voice trace the colors of the rainbow,
Red like blood as a certain suicidal rejected captain.
Hopeless, as black as the love of a father.
Innocent the name of white, leaving both with nothing but pain.
Deep blue sea washed ashore a perpetual sorrow.
Yellow hay belly betrayal.
Greenish veins pumped jealousy.
Then came satin purple, carrying the burden of age old wisdom.
All of those, my mother the witness.
Untrue none of them.
The question was
when will the shade of love bleed out from its definite range
and turn every once sweet nothing into a lifelong scar?

*Editor’s Note: The author of this poem is not a native English speaker.

 

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